Browse > Year > 2022

Smithyes, Jim and Madden, Caleb and Cieciura, Grant (2022) AMASS. [Book art/Artist's book]

Thomas, Gareth (2022) Accelerated times: post-capitalism and music industry pedagogy. In: Creative business education: exploring the contours of pedagogical praxis. Palgrave Macmillan, London. ISBN 9783031109270

Connolly, Stephen (2022) Aeroscopics: media of the Bird’s-Eye View. Early Popular Visual Culture, 20 (4). pp. 429-431. ISSN 1746-0662

You, Xinya (2022) Applying design thinking for business model innovation. Journal of Innovation and Entrepreneurship, 11. ISSN 2192-5372

Connolly, Stephen (2022) Archive / Album - Images of History / Images of the Future. In: XXVIII Visible Evidence: Images of History, 10-14 August 2022, Gdansk, Poland. (Unpublished)

Rossi, Cat (2022) Are you sitting comfortably? Architectural Review. pp. 22-25.

Baker, Camille (2022) Artist talk - INTER/her: an immersive journey inside the female body. In: ISEA, International Symposium on Electronic Art, 13 June 2022, MACBA - Convent dels Àngels, Barcelona, Spain. (Unpublished) Item availability restricted.

Scarsbrook, Sarah (2022) Artists shaping policies through higher art education: how visual artists develop policies that affect their lives, practices, and careers. Journal of Cultural Management and Cultural Policy, 8 (2). pp. 175-192. ISSN 2701-9276

Rossi, Cat and Sparke, Penny and Scholze, Jana (2022) At Home. [Exhibition/show]

Rossi, Cat and Scholze, Jana and Sparke, Penny (2022) At Home: Panorama de nos vies domestiques. [Exhibition/show]

Couch, Amanda (2022) Becoming with Wheat: Photosynthesis-Respiration Collaborations. Performance Research, 26 (7). pp. 136-141. ISSN 1352-8165

Nayak, Bhabani (2022) The Bhagavad Gita in the making of conscious capitalism. Technological Forecasting and Social Change, 176. ISSN 0040-1625

Clayton, Wickham (2022) The Big Short's incoherence, documentary aesthetics, and use of direct address. The Journal of Popular Culture. ISSN 1540-5931

Gapper, Oliver (2022) Book-space; exploring the potentialities for intimate communication within the photobook. PhD thesis, University for the Creative Arts.

Burgoyne, Greig (2022) Casting the Castle III. [Drawing, Exhibition/show, Film, Installation, Performance, Site-specific work]

Dashti, Sarah and Prakash, Edmond and Navarro-Newball, Andres Adolfo and Hussain, Fiaz and Carroll, Fiona (2022) Chladni plate visualisation. In: Computer Graphics and Visual Computing (CGVC). The Eurographics Association, Geneva. ISBN 9783038681885

Burgoyne, Greig (2022) Classic workout. [Drawing, Exhibition/show, Film, Installation, Performance, Sculpture, Site-specific work]

Sargent, Keith and Seers, Lindsay (2022) Cold Light. [2D Design, 3D Design, Animation, Audio work, Digital art, Exhibition/show, Film, Installation, Other, Photography, Sculpture, Sound art, Video]

Smith, Smin and Dillon, Tom and Butt, Amy and Hill, Rachel and Murphy, Sinead and Rossi, Eleonora and Stone, Katie and Lee, Sing Yun (2022) Collective close reading: queer SF and the methodology of the many. In: The Routledge Companion to Gender and Science Fiction. Routledge. ISBN 9780367537012 (In Press) Item availability restricted.

Charter, Martin and Davis, Trevor (2022) Createch in the UK: sustainability policy linkages and company activity. Project Report. University for the Creative Arts, Farnham.

Nayak, Bhabani and Powell, Philip (2022) Creative business education: exploring contours of pedagogical praxis. Palgrave Macmillan, London. ISBN 9783031109270

Li, Junxiong and Shaw, Gareth (2022) Creative tourism and creative tourists: a review. In: Creative business education: exploring the contours of pedagogical praxis. Palgrave Macmillan, Cham, pp. 199-219. ISBN 9783031109287

Lazzaro, Elisabetta (2022) Cultural and creative districts: a literature review and a taxonomy. In: Creative business education: exploring the contours of pedagogical praxis. Palgrave Macmillan, London, pp. 237-250. ISBN 9783031299520

Manopoulou, Loucia (2022) Curatorial, performance, craft: a shift in contemporary practice. PhD thesis, University for the Creative Arts.

Messell, Tania and Sanchez Moreno, Lilian (2022) Disaster relief and the materiality of aid: humanitarian Iimaginaries and design interventions at Oxfam, 1971-1976. In: Building-object: shared and contested territories of design and architecture. Bloomsbury Press, London, pp. 181-198. ISBN 9781350234024

Hamlyn, Nicky (2022) Dissolving the frame: Amy Dickson's film performances and performance films. Millennium Film Journal (75). pp. 38-45. ISSN 1064-5586

Burgoyne, Greig (2022) Drawing as an invisible present: a phenomenological study of a performative drawing practice. Jornadas Dibujo Contemporáneo, 3. ISSN 2695-9488 (In Press) Item availability restricted.

Burgoyne, Greig (2022) Drawing the invisible in plain sight. In: drawing conversations #4, 2 September 2022, University of Huddersfield.

Smith, Smin and Stone, Katie and Delany, Avery and Myerson, Sasha and Murphy, Sinead and Kabo, Raphael and Dillon, Tom and Kawitzky, Felix and Rossi, Eleonora and Lee, Sing Yun and Hill, Rachel (2022) Drowning in the cloud: water, the digital and the queer potential of feminist science fiction. In: Technologies of feminist speculative fiction: gender, artificial life, and the politics of reproduction. Palgrave Studies in Science and Popular Culture (PSSPC) . Palgrave Macmillan, pp. 197-221. ISBN 9783030961923

Butterworth, Roxane (2022) Exploring education for sustainable development in creative disciplines. JUICE: Journal of Useful Investigations in Creative Education.

Baker, Camille and Boddington, Ghislaine (2022) Extended Senses and Embodying Technology Symposium and Exhibition 2022. [Digital art, Exhibition/show]

Baker, Camille (2022) Extended senses: designing emotional immersive experiences with VR haptics. In: Extended senses, 22 February 2022, Wolverhampton Screen School, University of Wolverhampton, UK.

Mbeledogu, Ezinma (2022) Fashion design research. Laurence King Publishing, London. ISBN 9781913947668

Reimers, Anne (2022) Fashion, media and celebrity culture in two portraits by Otto Dix. In: Réévaluer la Nouvelle Objectivité et August Sander. Colloque international, 12-13 May 2022, Centre Pompidou, Paris, and Fondation Max Weber - Centre allemand d’histoire de l’art, Paris. (Unpublished)

Blanchard-Emmerson, Julie (2022) Feeling time, fashioning age: pre-teen girls negotiating life course and the ageing process through dress. Sociology, 56 (3). ISSN 1469-8684

MacDonald, Fiona (2022) Feral participations: exploring art and the creaturely through interspecies practice. PhD thesis, University of the Arts London/University for the Creative Arts.

Charter, Martin and Sanchez Moreno, Lilian (2022) Final report: sustainability, cricket gear, clothing and apparel: stakeholder workshop. Project Report. Centre for Sustainable Design (CfSD).

Ozguner, Artun (2022) Folk / modern: fitting the nation into the past. In: "Folk Cultures" in Everyday Objects, 18 Nov - 2 Dec 2022, Held online by the Design History Society. (Unpublished)

Ozguner, Artun (2022) "Ghosts of past reentering the stage": the transient attributes of Izmir’s persistent objects. In: Design History Society Annual Conference, 2022, Design and Transience, 8-10 September 2022, Izmir Institute of Technology, Izmir, Turkey. (Unpublished)

He, Yayi (2022) Graduates' employability in the creative industry in China: what competencies, qualities, and skills Chinese graduates with an undergraduate degree in Fine Art need for employment in China. PhD thesis, University for the Creative Arts.

Newman, Terry (2022) Harry Styles and the clothes he wears. ACC Art Books, Woodbridge. ISBN 9781788841702

Molloy, Caroline (2022) Hidden histories: a study of diasporic identity mediated through family photography. In: Decolonizing Visuality: Working Towards Sustainable Sociocultural Practices - Counter-Image International Conference (CIIC22), 13-15 July 2022, Colegio Almada, Lisbon, Portugal. (Unpublished)

Reimers, Anne (2022) "I am in favour of a black-and-white print that does not correspond to the original" (Otto Dix): Weimar Germany's print media culture and oil painting in reproduction. In: Avant-Garde Art on Paper in Europe, 1905-1950, 23 -25 March 2022, Royal Museums of Fine Arts of Belgium, Brussels. (Unpublished)

Pennington, Liv (2022) I am not content: consequences of managing a likable female image in "onlife". PhD thesis, University for the Creative Arts/University of the Arts London.

Baker, Camille (2022) INTER/her: an immersive journey inside the female body - experience reflections. Virtual Creativity, 11 (2). ISSN 2397-9704 (In Press) Item availability restricted.

Rees, Katie (2022) Improvising with digital touch. Multimodality & Society, 2 (3). pp. 247-260. ISSN 2634-9809

Derby, Moyra (2022) In Correspondence. [Exhibition/show, Painting, Site-specific work]

Nayak, Bhabani (2022) Interdisciplinary limits of creative business education. Technological Forecasting and Social Change, 182. ISSN 1873-5509

Scarsbrook, Sarah (2022) It Repeats on You (Again). [Drawing, Exhibition/show, Installation, Performance, Video] Item availability restricted.

Blanchard-Emmerson, Julie (2022) "It's the time you got to wear whatever you wanted": Pre-teen girls negotiating gender, sexuality and age through fashion. Fashion Practice. ISSN 1756-9389 (In Press)

Graziano, Valeria and Trogal, Kim (2022) Labour power in the repair shop. Capitalism Nature Socialism. ISSN 1045-5752 (In Press) Item availability restricted.

Yu, Peipei (2022) A Land Apart. [2D Design, 3D Design, Craft, Exhibition/show, Textiles]

Thomson, Elizabeth (2022) Layers of meaning: Vietnamese lacquer painting as palimpsest. PhD thesis, University of the Arts London/University for the Creative Arts.

Java, Kiran and Karani, Malini (2022) Let There Be Calamities: 26 ways Queen Kunti praised Krishna (The Krishna Series). [Illustration]

Charter, Martin and Whitehead, Paul (2022) Local innovation systems related to waste fishing gear. Project Report. Centre for Sustainable Design (CfSD).

Li, Zhuozhang (2022) “Made in Hong Kong”: the (re)production of publicness in the cinematic urban topography of contemporary Hong Kong. In: The everyday in visual culture: slices of lives. Routledge, London, pp. 158-171. ISBN 9781003107309

Wainwright, Jean (2022) Manuel Vason: the photo performance. In: Unframing photography: performing the image to see otherwise. Live Art Development Agency (LADA), London. ISBN 9781838022990

Connolly, Stephen and Armstrong, James (2022) Meadows of Farnham Enclosures. In: Sonic Cartography, 29-30 October 2022, University of Kent, Chatham, Kent, UK. (Unpublished)

Kerim, Abdulrahman and Genç, Burkay (2022) Mobile games success and failure: mining the hidden factors. Neural Computing and Applications. ISSN 1433-3058

Nayak, Bhabani and Tabassum, Naznin (2022) Modern corporations and strategies at work. Springer, Singapore. ISBN 9789811946479

Blanchard-Emmerson, Julie (2022) "My god I’m wearing Tesco!": fashion, pre-teen femininity and the commercialisation of childhood. In: Creative business education: exploring the contours of pedagogical praxis. Palgrave Macmillan, London, pp. 87-106. ISBN 9783031109287

Kelly, Jessica (2022) No more giants: J. M. Richards, modernism and The Architectural Review. Manchester University. (Unpublished) Item availability restricted.

Reimers, Anne (2022) Otto Dix and Weimar media culture: time, fashion and photography in portrait paintings of the Neue Sachlichkeit. German Visual Culture, 11 . Peter Lang Academic Publishers, Oxford, Bern, Berlin, Bruxelles, New York, Wien. ISBN 9781800791237

Molloy, Caroline (2022) The PORTRAIT ROOMs. bookRoom, Farnham, UK. ISBN 9780957682894

Herbst, Günther (2022) Painting postcolonial displacement: reconceptualising South African modernism. PhD thesis, University of the Arts London/University for the Creative Arts.

Nayak, Bhabani (2022) Political economy of development and business: towards decolonisation, transformation and alternative perspectives. Palgrave Macmillan, London. ISBN 9783031110924

Fox, Anna (2022) Portraits of Holocaust survivors and their families. [Exhibition/show, Photography]

Connolly, Stephen (2022) Positive outcomes for student filmmakers in a pandemic. Media Practice and Education, 23 (1). pp. 85-90. ISSN 2574-1144

Molloy, Caroline (2022) Post Graduate Research Showcase. In: Birkbeck Postgraduate Research Showcase, 28 June 2022, ICA, London, UK. (Unpublished)

Rossi, Cat (2022) Post-Craft. EP, 3 . Sternberg Press, Berlin. ISBN 9783956793950

Howard, Ashley (2022) Potters on pots: Ashley Howard. Ceramic Review: The Magazine of Ceramic Art and Craft (317). ISSN 0144-1825

Dashti, Sarah and Prakash, Edmond and Navarro-Newball, Andres and Hussain, Fiaz and Carroll, Fiona (2022) PotteryVR: virtual reality pottery. The Visual Computer. ISSN 1432-2315

Charter, Martin and Carruthers, Ros (2022) Products from waste fishing nets: accessories, clothing, footwear, home ware and recreation. Project Report. Centre for Sustainable Design (CfSD).

Scarsbrook, Sarah (2022) Professionalisation and identification in UK higher arts education. In: Creative business education: exploring the contours of pedagogical praxis. Palgrave Macmillan, London, pp. 273-304. ISBN 9783031109287

Fox, Anna (2022) Putting Ourselves in the Picture. Trolley Books, London.

Janes, Dominic (2022) Queer transplanting from the Himalayas to Yorkshire: Reginald Farrer's loves for men and alpine plants (1880-1920). In: Locating queer histories: places and traces across the UK. Bloomsbury. ISBN 9781350143722

Nordin, Noradila and Mohd. Nordin, Nur Rasyidah and Omar, Wafa (2022) REV-OPOLY: a study on educational board game with web-based augmented reality. Asian Journal of University Education (AJUE), 18 (1). pp. 81-90. ISSN 2600-9749

Spekkink, Wouter and Rödl, Malte and Charter, Martin (2022) Repair cafés and precious plastic as translocal networks for the circular economy. Journal of Cleaner Production (135125). ISSN 0959-6526

Molloy, Caroline (2022) Review: Photography: Race, Rights and Representation / Mark Sealy. Photomonitor.

Dashti, Sarah and Hussain, Fiaz and Carroll, Fiona and Prakash, Edmond and Navarro-Newball, Andres (2022) Role of intricate pottery visualization in ceramic manufacturing. IEEE Computer Graphics and Applications. ISSN 1558-1756 (In Press) Item availability restricted.

Klenz, Steffi (2022) A Scholar's Rock. [Exhibition/show, Photography]

Park, Jin Suk and Hwang, Eunju (2022) Sectoral FTA gains, conflicts, and the role of interindustry factor mobility: evidence from Korea's free trade agreement. Pacific Economic Journal, 27 (3). pp. 1-27. ISSN 1468-0106

Kerim, Abdulrahman and C. Chamone, Felipe and Ramos, Washington and Soriano Marcolino, Leandro and Nascimento, Erickson R. and Jiang, Richard (2022) Semantic segmentation under adverse conditions: a weather and nighttime-aware synthetic data-based approach. In: 33rd British Machine Vision Conference 2022, 21-24 November 2022, London, UK.

Serman, Zehra and Sims, Julian (2022) Source credibility theory: SME hospitality sector blog posting during the covid-19 pandemic. Information Systems Frontiers. ISSN 1572-9419

Steane, Natalya and Hwang, Eunju and Coluccello, Salvatore (2022) South Korea's public diplomacy actors in Uzbekistan. European Journal of Korean Studies, 22 (1). pp. 95-124. ISSN 26314134

Hebles, Melany and Trincado-Munoz, Francisco and Ortega, Karina (2022) Stress and turnover intentions within healthcare teams: the mediating role of psychological safety, and the moderating effect of COVID-19 worry and supervisor support. Frontiers in Psychology, 12. ISSN 1664-1078

Wetherfield, Martin and Charter, Martin and Shah, Darshil and Whittaker, Chris (2022) Sustainability, cricket gear, clothing and apparel: components, materials and innovation. Project Report. University for the Creative Arts, Farnham.

Charter, Martin and Czutkowna, Joanna (2022) Sustainability, cricket gear, clothing and apparel: cricket clothing. Project Report. University for the Creative Arts, Farnham.

Manopoulou, Loucia (2022) Textiles in text: text in textiles. In: Fashion, Photography, Storytelling, And Textiles’, Progressive Connextions, Global Inclusive Interdisciplinary Conference, 9-10 July 2022, Athens, Greece. (Unpublished)

Panse, Silke (2022) There are no extinctions in relations without bodies: on the violence offlat relational ontologies. PARSE Journal (15). ISSN 2002-0953

Fitzpatrick, Frank (2022) Towards interculturality in international creative business management in higher education. In: Creative business education: exploring the contours of pedagogical praxis. Palgrave Macmillan, Cham, pp. 7-25. ISBN 9783031109270

Wainwright, Jean (2022) Translating Warhol for television: Andy Warhol’s America. Journal of Art Historiography (26). ISSN 2042-4752

Kirkland, Ewan (2022) Videogames and the Gothic. Routledge Advances in Game Studies . Routledge, London. ISBN 9780367460228

Baker, Camille and Bryan-Kinns, Nick and Greinke, Berit (2022) WEAR: wearable technologists engage with artists for responsible innovation: analysis, insights, outcomes and impact. In: Bloomsbury Encyclopedia of World Textiles. Bloomsbury. (In Press) Item availability restricted.

Katt, Serena (2022) Walking with Inge. Roots and Routes, 11 (39). ISSN 2039-5426

Katt, Serena (2022) Walking with Inge. [Other]

Gupta, Sunil (2022) We were here: sexuality, photography, and cultural difference. Aperture, New York. ISBN 9781597115285

Massey, Anne (2022) Women in design. World of Art . Thames & Hudson, London. ISBN 9780500204825

Spyrou, Alexandros (2022) The effectiveness of vibrotactile sensor technology in the creation of an augmented reality sonic experience. In: Extended Senses & Embodying Technology Symposium 2022, 8-10 September 2022, University of Greenwich, UK.

Nordin, Noradila and Mohd Nordin, Nur Rasyidah and Omar, Wafa (2022) The efficacy of REV-OPOLY augmented reality board game in higher education. International Journal of Emerging Technologies in Learning (iJET), 17 (7). pp. 22-37. ISSN 1863-0383

Lazzaro, Elisabetta and Munim, Ziaul Haque and Nordgård, Daniel (2022) The impact of campaign features on crowdfunding success in contemporary visual public art: a machine-learning application. In: Tenth European Workshop on Applied Cultural Economics, 8-10 September 2022, University of Turin, Italy.

Molloy, Caroline (2022) The instability of the pillar. In: Culture, Things, and Empire, 25 May 2022, Birkbeck University of London. (Unpublished)

Burgoyne, Greig (2022) The living contradiction. [Drawing, Exhibition/show, Installation, Performance, Site-specific work]

Das, Simon (2022) The meaning of creativity through the ages: from inspiration to artificial intelligence. In: Creative business education: exploring the contours of pedagogical praxis. Palgrave Macmillan, London, pp. 27-53. ISBN 9783031109287

Reimers, Anne (2022) The new and the outmoded: on the temporal and sacrificial nature of fashion. In: Can Fashion Be Defended? A Symposium in Memory of Djurdja Bartlett, 11 July 2022, London College of Fashion.

Reimers, Anne (2022) The 'new woman' in white: tennis dress in fashion magazines and painting in 1920s Germany. In: Fashioning the Body for Sport and Leisure: A History of Sport and Textiles. International Conference of Dress Historians, 30 September - 1 October 2022, Art Workers Guild, London, UK.

Perks, Sue (2022) A passion for symbols: tracing the inspirations behind the design and production of Henry Dreyfuss’ Symbol Sourcebook. In: 8th International Conference on Typography & Visual Communication (ICTVC) 2022, 6-9 July 2022, Thessaloniki, Greece. (Unpublished)

Andersdotter, Sara (2022) The politics of looking: 12 gestures from an archive (XX); The politics of looking: 12 gestures from an archive (XY). [Exhibition/show]

Farid, Shirazi and Hajli, Nick and Sims, Julian and Lemke, Fred (2022) The role of social factors in purchase journey in the social commerce era. Technological Forecasting and Social Change, 183 (121861). ISSN 1873-5509

Trafford, Tia (2022) The world as police. Rhizomes: Cultural Studies in Emerging Knowledge (38). ISSN 1555-9998