Browse > School > School of Fine Art, Crafts & Photography > Derby, Ms Moyra
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Number of items: 21.
Art/Design Item
Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2019)
Notes on Painting II.
[Exhibition/show, Painting]

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2018)
Lateral Futures.
[Exhibition/show, Installation, Painting, Site-specific work]

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770, Kelly, Conor, Key, Joan, Munster, Jost and Hamlyn, Nicky
ORCID: https://orcid.org/0000-0002-9622-4679
(2018)
Interval [ ] still : now.
[Curation, Film, Installation, Painting, Site-specific work, Video]


Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2018)
Production loop, for Muster Station, School of Beginnings at Tate Exchange, London.
[Painting, Printmaking, Site-specific work]

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2017)
Notes on Painting.
[Exhibition/show, Painting, Site-specific work]

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2017)
PRINTed.
[Book art/Artist's book, Exhibition/show, Painting]

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2017)
Fully Awake.
[Exhibition/show, Painting]

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770, Kelly, Conor, Key, Joan, Munster, Jost and Hamlyn, Nicky
ORCID: https://orcid.org/0000-0002-9622-4679
(2017)
Interval [ ] stop-gap.
[Exhibition/show, Film, Painting]


Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770, Kelly, Conor, Key, Joan, Munster, Jost and Hamlyn, Nicky
ORCID: https://orcid.org/0000-0002-9622-4679
(2016)
{} Interval The Waiting Room.
[Curation, Exhibition/show, Film, Painting, Site-specific work]


Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2015)
Abstract Apartment 1.
[Exhibition/show]

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770, Elliot, Stuart, Finch, Mark and Harland, Beth
(2013)
Painting Tableau Stage.
[Exhibition/show, Painting]

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770 and de Pulford, Matthew
(2012)
Picture Tableau Screen.
[Curation, Exhibition/show, Film, Painting, Photography, Site-specific work]

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770 and Matthews, Bob
(2009)
A sort of night to the mind, a kind of night for our thoughts: materiality and illusion in contemporary painting.
[Curation, Exhibition/show, Painting]
Item not available online.

Article
Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2021)
The productive inadequacy of image for contemporary painting: image based operations in the work of Beth Harland, Jacqueline Humphries and R H Quaytman.
The Journal for the Philosophy of Language, Mind and the Arts, 2 (1).
pp. 205-219.
ISSN 2723-9640

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2019)
Models of attention.
Journal of Contemporary Painting, 5 (1).
pp. 135-146.
ISSN 2052-6695

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2016)
Constraints between picture and painting: some considerations at a distance.
Journal of Contemporary Painting, 2 (2).
pp. 261-273.
ISSN 2052-6695

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2013)
Depth as breadth in rotation: Tableau as holding apparatus.
Journal of Visual Art Practice, 12 (1).
pp. 25-37.
ISSN 1470-2029
Item not available online.

Book Section
Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2013)
Visualising painting: a space drawn in ratio.
In:
Limber: spatial painting practices.
UCA, pp. 76-81.
ISBN 9780957079779

Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2011)
A sort of night to the mind, a kind of night for our thoughts: materiality and illusion in contemporary painting.
In:
A sort of night to the mind, a kind of night for our thoughts: materiality and illusion in contemporary painting.
Joanna Foster Fine Art, Arch 402 Gallery.
ISBN 9780957057401

Conference or Workshop Item
Derby, Moyra
ORCID: https://orcid.org/0000-0001-7610-1770
(2018)
Models of attention.
In: Painting as ReModel: Revisiting 'Painting as Model', 21 June 2018, Camberwell College of Arts, London, UK.
(Unpublished)
