Clayton, Wickham (2022) The Big Short's incoherence, documentary aesthetics, and use of direct address. The Journal of Popular Culture. ISSN 1540-5931

Clayton, Wickham (2021) "They say with Jason death comes first/he'll make hell a place on earth": The functions of hell in New Line's Jason Sequels. In: Theology and horror: explorations of the dark religious imagination. Rowman and Littlefield Publishing, London. ISBN 9781978707986

Clayton, Wickham (2020) SEE!HEAR!CUT!KILL!: Experiencing Friday the 13th. Other. University Press of Mississippi. Item availability restricted.

Clayton, Wickham (2020) Killing the sad fat guy and the pregnant lady: uncomfortable death in Friday the 13th Part III - 3D. Horror Homeroom, 1 (1). pp. 71-79.

Clayton, Wickham (2020) The Bible onscreen in the new millennium. Manchester University Press. ISBN 9781526136572 (In Press)

Clayton, Wickham (2020) ‘Can anything good come out of southern California?’* (*hyperlink to John 1:46)1: the Christian critical reception of elliptical Jesus narratives. In: The Bible onscreen in the new millennium: new heart and new spirit. Manchester University Press. ISBN 9781526136572 Item availability restricted.

Clayton, Wickham (2020) Introduction. In: The Bible onscreen in the new millennium: new heart and new spirit. Manchester University Press, Manchester. ISBN 9781526136572

McMurdo, Shellie and Clayton, Wickham (2019) Misogyny or commentary?: gendered violence outside and inside captivity. In: Gender and contemporary horror in film. Emerald Studies in Popular Culture and Gender . Emerald Publishing, Bingley, UK, pp. 187-204. ISBN 9781787698987

Clayton, Wickham (2018) "This is how I lied about coming up with the idea for writing about The Brothers Grimm [2005]": incoherent narration in Terry Gilliam's Adaptation. In: Adapted from the original: essays on the value and values of works remade for a new medium. McFarland and Co., Jefferson, NC, pp. 168-180. ISBN 9780786478729

Clayton, Wickham and Humphreys, Georgia (2017) 'Keep it to yourself': shame and female masturbation in American independent cinema. Sexualities. ISSN 363-4607 (Print); 1461-7382 (Online)

Clayton, Wickham (2017) The four archetypes of The Three Burials (of Melquiades Estrada). In: A fistful of icons: essays on frontier fixtures of the American western. McFarland & Co Inc, Jefferson. ISBN 9780786498048

Clayton, Wickham (2017) Alien on the inside: the adaptation of Stephen King's alien possession tales. Science Fiction Film & Television, 10 (2). pp. 177-196. ISSN 1754-3770 (Print); 1754-3789 (Online)

Clayton, Wickham (2015) Introduction: the collection awakes. In: Style and form in the Hollywood slasher film. Palgrave Macmillan, pp. 1-14. ISBN 9781137496461

Clayton, Wickham (2015) Style and form in the Hollywood slasher film. Palgrave Macmillan. ISBN 9781137496461

Clayton, Wickham (2015) Undermining the moneygrubbers, or: how I learned to stop worrying and love 'Friday the 13th Part V'. In: Style and form in the Hollywood slasher film. Palgrave Macmillan, pp. 37-50. ISBN 9781137496461 Item availability restricted.

Clayton, Wickham (2015) Unnatural, unnatural, unnatural, unnatural unnatural"...but real? The Toolbox Murders (Dennis Donnelly, 1978) and the exploitation of true story adaptations. Transatlantica: Revue d'Études Américaines (2). ISSN 1765-2766

Clayton, Wickham (2014) Sea, too? You adapted my battleship!: problems of narration and adaptation. Intensities: The Journal of Cult Media (7). pp. 36-43.

Clayton, Wickham and Harman, Sarah (2014) Screening Twilight: critical approaches to a cinematic phenomenon. I.B. Tauris, London; New York. ISBN 9781780766669

Clayton, Wickham (2014) 'Where have all the monsters gone? Long time passing': The aesthetics of absence and generic subversion in 'New Moon'. In: Screening Twilight: critical approaches to a cinematic phenomenon. I.B. Tauris, London ; New York. ISBN 9781780766669